In POSTPOSTPOST Al Hassan Elwan subverts the notion of 'avant-garde’ to contend with some of its misuse in contemporary discourse and emphasises the need for examining what it could mean today. The film’s narrative is deliberately polemic against prevailing notions of "progress" and the defeatist snark of traditional aesthetics. Questioning how we fail to recognise we are living through post-apocalyptic events, Elwan presents an absurdly extrapolated version of 2024, providing us with a break from our current reality by engaging with the truths and speculations of clueless avant-gardists.