This scored and improvised work brings artist Vivienne Griffin together with musician Úna Monaghan for a harp-based, experimental live performance. Griffin has built a device that allows the harp to self play, expanding their practice in experimental score composition and musical dialogue. Monaghan performs with a harp and computer. Together, the duo merge harp, electronic distortion, motors, and the programming software Max MSP to create a sonic exploration of contrasts: melody in tension with noise, and meditative repetition.

Research and development funding from The Irish Arts Council.
Originally commissioned by Somerset House Studios, London.
The presentation at transmediale receives additional support from Culture Ireland.